[10][15], Sakamoto first worked with Hosono as a member of his live band in 1976, while Yukihiro Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. Das Debütalbum war dann auch sehr erfolgreich, was nicht zuletzt an der hervorragenden Produktion lag, und das Studioprojekt verwandelte sich in eine ausgewachsene Tourband und machte beachtliche Karriere. [48], The band also drew from a wider range of influences than had been employed by Kraftwerk. [7], YMO were pioneers of synthpop, a genre whose emergence at the start of the 1980s some have argued was the most significant development in melodic pop music since the Sixties and the Beatles. [27] Jackson's version was never released until his first posthumous album, Michael, though his additional lyrics were included in later cover versions of the song by Greg Phillinganes, Eric Clapton, and Ryuichi Sakamoto himself in his 1986 solo release Media Bahn Live. It featured English lyrics by Chris Mosdell, whose sci-fi themes often depicted a human condition alienated by dystopic futures, much like the emerging cyberpunk movement in fiction at that time. A&M wollte zu dieser Zeit eine Fusion mit Alfa Records in Tokio diskutieren. Bewertung, Yellow Magic Orchestra Usa & Y. Disco, Pop, Import-Can, SYMPHONIC The band have reunited in 2007 for an advertising campaign for Kirin Lager which lampooned their longevity and charted No.1 on various Japanese digital download charts (including iTunes Store chart) with the song "Rydeen 79/07", released on Sakamoto's new label commmons. Autor: John Lennon - Paul MaCartney / Komponisten: Yellow Magic Orchestra - John Lennon - Paul MaCartney. [12] Yellow Magic Orchestra and Ryuichi Sakamoto's Thousand Knives were one of the earliest popular music albums to utilize the Roland MC-8 Microcomposer, which was programmed by Hideki Matsutake during recording sessions. [24] Following the release of the album Yellow Magic Orchestra, a live date at the Roppongi Pit Inn was seen by executives of A&M Records of the USA who were in the process of setting up a partnership deal with Alfa Records. [8] They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.[9]. © 2019 Billboard Media, LLC. [58], The band often utilized a wide variety of state-of-the-art electronic music equipment immediately as they were made available. 04:57 Autor: Chris Mosdell / Komponisten: Yellow Magic Orchestra - Haruomi Hosono. Yellow Magic Orchestra Biography by Jason Ankeny + Follow Artist. In August 2007, the band once again reformed, taking the name HASYMO or HAS/YMO, combining the names of Human Audio Sponge and Yellow Magic Orchestra. Diese Seite wurde zuletzt am 14. [59][60][61] It also introduced features such as a keypad to enter note information and 16 KB of RAM which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8–16 step sequencers of the era. In HMV Japan's list of top 100 Japanese musicians of all time, YMO were voted second place, behind only Southern All Stars, a pop-rock band who remain largely unknown outside Japan. In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika. [citation needed] Instead of traditional vocals, about half of it features field audio recordings and samples of authors and scientists reading their work. [24] Yellow Magic Orchestra was also the first computer-themed music album, coming before Kraftwerk's Computer World (1981) by several years. Verfassen Sie jetzt einen Fan-Report und teilen Sie Ihre Eindrücke zu Yellow Magic Orchestra. Yellow Magic OrchestraBGM (180g) Auf ihrem vierten Album, »BGM« von 1981, nahm das Yellow Magic Orchestra den Faden des Vorgängers »Xi Multiplies« wieder auf, begab sich tiefer in das Reich von Synthesizern und Drumcomputern und experime…. [16], "Technopolis", a tribute to Tokyo as an electronic mecca that used the term "techno" in its title, foreshadowed concepts that Juan Atkins and Rick Davis would later have with Cybotron. [21][23] Roland called the MC-8 a "computer music composer" and it was the first stand-alone microprocessor-based music sequencer. [83] The music YMO produced during their comeback in the early 1990s also played an instrumental role in the techno and acid house movements towards the end of the 20th century. [73] In 2009, a cover of "Kimi ni Mune Kyun" was used as the ending theme song for the anime adaptation of Maria Holic, sung by Asami Sanada, Marina Inoue, and Yū Kobayashi, the voice actresses of the main characters. innerhalb 1-2 Wochen. [29] They influenced many early British synthpop acts, including Ultravox, John Foxx, Gary Numan, Duran Duran,[16] Depeche Mode,[4] Camouflage,[4][85] OMD, The Human League,[45] Visage,[86] and Art of Noise,[87] as well as American rock musicians such as Todd Rundgren. [16] For some time, YMO was the most popular band in Japan. [80] YMO continued to influence later techno musicians such as Surgeon, μ-Ziq, and Cosmic Baby. Die erfolgreichste Singleauskopplung aus dem Album und Y.M.O.s größter internationaler Hit, Behind the Mask, wurde später von Ryuichi Sakamoto für eine Soloveröffentlichung 1987 neu bearbeitet. [10] "Behind the Mask" (1979) made use of synthesizers for the melodies and digital gated reverb for the snare drums. [22] Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978. [10] The group would release several albums before pausing their activity in 1984. In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album. Yellow Magic Orchestra is a hugely influential early Techno band that has been called the Japanese equivalent of Kraftwerk, while their influence inside their home country has been likened to The Beatles. 17 in the UK Charts. Following an advertising deal with Fuji Cassette, the group sparked a boom in the popularity of electronic pop music, called "technopop" in Japan,[16][6] where they had an effect similar to that of the Beatles and Merseybeat in 1960s Britain. [69][70] By the 1990s, YMO were also frequently cited as pioneers of ambient house music. The group also performed "Firecracker" and "Tighten Up" live on the Soul Train television show. [citation needed] During their brief reunion in the early 1990s, they continued to experiment with new styles of electronic music, playing an instrumental role in the techno and acid house movements of the era.[37]. He later proposed they rename the group Human Audio Sponge when he participates. Track 3 on side one of Yellow Magic Orchestra’s fourth studio album BGM, released in 1981. Albums include Solid State Survivor, Yellow Magic Orchestra, and 環境音楽 Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990. Diese Zusammenarbeit führte dann zum Projekt Y.M.O. HASYMO played two live concerts in Europe in the summer of 2008, one at the Royal Festival Hall, London on June 15, as part of the Meltdown festival of music curated by Massive Attack and another in Gijón, Spain, on the 19th. Wählen Sie aus erstklassigen Inhalten zum Thema Yellow Magic Orchestra in … 03. [citation needed], The band's 1978 self-titled album Yellow Magic Orchestra was successful and the studio project grew into a fully fledged touring band and career for its three members. Im Jahr 1979 nahmen ‘Yellow Magic Orchestra’, das erste in der Geschichte der Popkultur festgehaltende Album mit Hilfe des damals ganz neuen ‘Roland MC-8 MicroComposer’ auf. Unter anderem, um Rechtsstreitigkeiten zu verhindern, veröffentlichten sie 1993 das Album Technodon, diesmal allerdings unter dem Namen YMO. Das Yellow Magic Orchestra (Y.M.O.) Yellow Magic Orchestra - Solid State Survivor - (Vinyl) im Onlineshop von MediaMarkt kaufen. The band was named "Harry Hosono and the Yellow Magic Band" as a satire of Japan's obsession with black magic at the time,[16] and in late 1977 they began recording Paraiso, which was released in 1978. Making abundant use of new synthesizers, samplers, sequencers, drum machines, computers and digital recording technology as it became available, as well as utilizing cyberpunk-ish lyrics sung mostly in English, they extended their popularity and influence beyond Japan. They opened with a cover of "Hello, Goodbye" and performed old YMO songs along with their newer songs.[38]. [16] Their albums Solid State Survivor and X∞Multiplies held the top two spots on the Oricon charts for seven consecutive weeks in 1980, making YMO the only band in Japanese chart history to achieve this feat. Das Yellow Magic Orchestra (Y.M.O.) "Rap Phenomena" from the album was an early attempt at electronic rap. In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika. [53] Sakamoto has expressed that his "concept when making music is that there is no border between music and noise. [13][14] Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. Yellow Magic Orchestra. At around the same time, the 1980 song "Riot in Lagos" by YMO member Sakamoto pioneered the beats and sounds of electro music. [4] This resulted in the release of the tribute remix album Yellow Magic Orchestra: Hi-Tech/No Crime in 1993,[4] by leading ambient, house and techno musicians at the time, including The Orb, 808 State, and Orbital. Titel von Yellow Magic Orchestra gibt es schon ab 0,99 €. The popular anime series Dragon Ball Z also paid homage to the band with the song "Solid State Scouter" as the theme song of the 1990 TV special Dragon Ball Z: Bardock – The Father of Goku. YMO was initially conceived by Hosono as a one-off exploration of computerized exotica and parody of Western conceptions of the orient. [77], YMO also influenced techno music,[78] including its pioneers Juan Atkins, Kevin Saunderson, and Derrick May,[79] who cited YMO as an important influence on their work alongside Kraftwerk. [55] The pace at which the band's music evolved has been acknowledged by critics. [49] YMO were one of the most important acts in Japan's "New Music" movement and paved the way for the emergence of contemporary J-pop in the 1980s. The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums) and Ryuichi Sakamoto (keyboards). They added classic songs from their back catalog into their set list. [21][22], While Sakamoto was working on Thousand Knives, Hosono began formulating the idea of an instrumental disco band which could have the potential to reach success in non-Japanese-language territories, and invited Tasuo Hayashi of Tin Pan Alley and Hiroshi Sato of Uncle Buck as participants, but they declined. Finden Sie Top-Angebote für 12' YELLOW MAGIC ORCHESTRA---COMPUTER GAME (NL PRESS./YELLOW WAX) (EX) bei eBay. [93], YMO's use of video game sounds and bleeps also had a particularly big influence on 1980s hip hop[94] and pop music. Public Pressure. [18] Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music, including an early "synth raga" song "Hum Ghar Sajan". Solid State Survivor (Live Version) Yellow Magic Orchestra. "[53], Their approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. The band was one of the first to use Sampling. [22] Electric instruments were also used, the Fender Rhodes piano and Fender Jazz Bass. Solid State Survivor. Track 2 on 'Yellow Magic Orchestra' (1978)Written by Martin DennyLYRICS:Instrumental-uploaded in HD at http://www.TunesToTube.com [6] The single "Computer Game" had sold 400,000 copies in the United States[6] and reached No. [23], The band has been described as "the original cyberpunks"[68] and their early work has been described as "proto-techno" music. [35], The band had paused their group activities by 1984. [23] The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization. Pioneering Japanese synth-pop group second only to Kraftwerk in influence. [37] The band's use of oriental musical scales and video game sounds has continued to be an influence on 21st-century electronica acts such as Dizzee Rascal, Kieran Hebden,[16] and Ikonika. Dieses Genre wurde Ende der Siebziger Jahre des 20. [97] They also inspired early ambient techno artists such as Tetsu Inoue,[98] and the classical music composer Joe Hisaishi. [99], YMO also influenced many video game composers and significantly affected the sounds used in much of the chiptune and video game music produced during the 8-bit and 16-bit eras. Die Mitglieder sind … Die vollständige Titelliste sehen (8 Titel) (P) 1978 Alfa Music, Inc. 12-11-1978 Yellow Magic Orchestra. [56] Soon after Technodelic, the LMD-649 was used by YMO-associated acts such as Chiemi Manabe[57] and Logic System. Kostenlose Lieferung für viele Artikel! [16] Afrika Bambaataa's influential song "Planet Rock" was partly inspired by YMO. Yellow Magic Orchestra Usa & Y Yellow Magic Orchestra. They released the surprise global hit "Computer Game" in 1978, reaching the UK Top 20 and selling 400,000 copies in the US. [citation needed]. The trailblazing force behind the emergence of the Japanese techno-pop sound of the late '70s, Yellow Magic Orchestra remains a seminal influence on contemporary electronic music -- hugely popular both at home and abroad, their pioneering use of synthesizers, sequencers and drum machines places them second only to Kraftwerk as innovators of today's electronic culture. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. [43] YMO also headlined their World Happiness festival on August 12, 2012.[44]. "[5] In 2001, Jason Ankeny of the Allmusic Guide to Electronica described YMO as "a seminal influence on contemporary electronic music – hugely popular both at home and abroad" and placed them "second only to Kraftwerk as innovators of today's electronic culture. Seite 1 von 1 Zum Anfang Seite 1 von 1 . Durch eine Werbekampagne mit Fujifilm löste die Gruppe einen Boom elektronischer Popmusik in Japan aus (dort Technopop genannt), vergleichbar mit jenem, den die Beatles und der Merseybeat in den 1960er Jahren in England auslösten. Dieses Genre wurde Ende der 1970er Jahre von ihnen maßgeblich mitbeeinflusst. [17] The three worked together again for the 1978 album Pacific, which included an early version of the song "Cosmic Surfin". Their first single under this name, "Rescue", was written for the film Appleseed EX Machina. The group is considered influential and innovative in … Icons in Japan and the rest of the world, YELLOW MAGIC ORCHESTRA are highly innovative and influencing in the world of electronics, similar to KRAFTWERK. They also covered "Hello, Goodbye" and "Thank You (Falettinme Be Mice Elf Agin)". 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Ihre Meinung ist ein wichtiges Entscheidungskriterium für andere Besucher, eine Veranstaltung zu besuchen. "[76], YMO are considered pioneers in the field of popular electronic music, and continue to be remixed or sampled by modern artists,[4] including experimental artist Yamantaka Eye, electronica group LFO, jungle band 4hero, electrolatino artist Senor Coconut, ambient house pioneers The Orb and 808 State,[11] electronic music groups Orbital[27] and The Human League,[74] hip hop pioneer Afrika Bambaataa,[3] and mainstream pop musicians such as Michael Jackson, Quincy Jones, Greg Phillinganes,[27] Eric Clapton, Mariah Carey, and Jennifer Lopez. Das Yellow Magic Orchestra (Y.M.O.) Barcelona performance at Sonar festival and Wild Sketch Show DVDs chronicle these reunions, and include a tongue-in-cheek Japanese text-only history of the group that spans to 2036. Jahrhunderts von ihnen maßgeblich mitbeeinflusst. Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). [46] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[47] and placed a strong emphasis on melody[45] in contrast to Kraftwerk's statuesque "robot pop". [45] Beyond electro acts, "Computer Game / Firecracker" was also sampled by a number of other later artists, including 2 Live Crew's "Mega-Mixx II" (1987),[73] De La Soul's "Funky Towel" (for the 1996 film Joe's Apartment),[95] Jennifer Lopez's worldwide hit "I'm Real" (2001), and the original unreleased version of Mariah Carey's "Loverboy" (2001). In August 2010, YMO once again closed their World Happiness festival. [45] They were impressed with Kraftwerk's "very formalized" style but wanted to avoid imitating their "very German" approach. Oktober 2020 um 00:27 Uhr bearbeitet. Takahashi, in particular, would play the band's material in his concerts. [31], The band was popular with the emerging hip hop community, which appreciated the group's new electronic sounds, and in the Bronx where "Firecracker" was a success and sampled in the famous Death Mix by Afrika Bambaataa. [66] In 1994, four video game composers employed at Namco, formed a parody band called "Oriental Magnetic Yellow" (OMY), producing parody cover versions of various YMO records, consisting of Shinji Hosoe as Haruomi Hosonoe, Nobuyoshi Sano as Ryuichi Sanomoto, Takayuki Aihara as Takayukihiro Aihara, and Hiroto Sasaki as Hideki Sasatake. Meanwhile, Sakamoto would gain international success for his work as a solo artist, actor, and film composer,[36] winning Grammy, Oscar and Golden Globe awards. Yellow Magic Orchestra (YMO) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). For their early recordings and performances, the band was often accompanied by programmer Hideki Matsutake. Billboard is a subsidiary of Valence Media, LLC. From Wikipedia, the free encyclopedia (Redirected from Firecracker (Yellow Magic Orchestra song)) Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP. The most popular international hit from the album was "Firecracker", which would be released as a single the following year and again as "Computer Game", which became a success in the United States and Europe. [29] By 1980, YMO had become the most popular group in Japan, where they were performing to sold-out crowds. [45], Technodelic (1981) was produced using the LMD-649, a PCM digital sampler that Toshiba-EMI sound engineer Kenji Murata custom-built for YMO. [4][6][7], Solid State Survivor, released in 1979, was YMO's pinnacle recording in Japan, winning the 1980 Best Album Award in the Japan Record Awards. [3][33] The band was particularly popular with the emerging hip hop community, which appreciated the group's electronic sounds, and in the Bronx where "Firecracker" was a success and sampled in the famous Death Mix (1983) by Afrika Bambaataa. [60] While it was commercially unsuccessful due to its high price,[60] the band were among the few bands at the time to utilize the MC-8, which they described as, along with its music programmer Hideki Matsutake, an "inevitable factor" in both their music production and live performances. [75] In 2006, Senor Coconut paid tribute to the band with his Yellow Fever! Auf diese Weise bekamen Y.M.O. Informationen zum Album X ∞ Multiplies (1980) von Yellow Magic Orchestra Informationen zu Yellow Magic Orchestra (Japan) inkl. On June 23, 2018, Hosono played his debut UK solo concert at the Barbican Centre in London; Takahashi and Sakamoto joined him on stage to perform "Absolute Ego Dance". ", "Chris Mosdell, quirky Boulder lyricist, wrote lyrics for newly released Michael Jackson song", "Pioneering Production Economy in the '80s", "Q&A With Ryuichi Sakamoto: Pop Pioneer And Producer And Award-Winning Soundtrack Composer", "Big in Japan: Yellow Magic Orchestra & Cibo Matto | Hollywood Bowl Presented by LA Phil", "Sakamoto gently rallies the troops for No Nukes 2012 | The Japan Times Online", "Yellow Magic Orchestra on Kraftwerk and How to Write a Melody During a Cultural Revolution", "Turning Japanese: The Philosophy of Ryuichi Sakamoto", "It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl", "The History Of Roland Part 1: 1930–1978", "Slaves to the rhythm: Kanye West is the latest to pay tribute to a classic drum machine", "Peter Stenshoel's Album of the Week: What, Me Worry? The early 2000s saw Hosono and Takahashi reunited in a project called Sketch Show. [100], 1978–1983: National and international success, 2002–present: Post-breakup and reformation, YMO – Rydeen 2 (2003 television interview), Tokyo National University of Fine Arts and Music, Learn how and when to remove this template message, Dragon Ball Z: Bardock – The Father of Goku, "Sakamoto hears music's sounds, not its styles", "Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too", Harry Hosono And The Yellow Magic Band – Paraiso, Ryuichi Sakamoto – Thousand Knives Of (CD), "Yellow Magic Orchestra: The Pre-MIDI Technology Behind Their Anthems", Yellow Magic Orchestra – Yellow Magic Orchestra, "Artists and producers strive for inroads overseas", "Behind the Mask – Michael Jackson's rarest recording?

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